“The Filmmakers grafted this visually haunting, dialogue-free story together with stories from their lives. The digital photography (an empty train platform, a forlorn bathhouse) conjures up a surprisingly entertaining sense of angst and desolation.”

 

“Both Kuswandi and Woo manage to tap into a universal kind of alienation that anyone who’s been young and gay has felt at some time or another, regardless of whether they’re from Jakarta or Main Street U.S.A.... To see it is to be moved by it.”

 

 

“Loneliness, despair, and emotional turbulence in the life of the young man are shot beautifully when he walks through his own life’s cliches... The film embodies beautiful and powerful visual imagery. Every frame reflects sensuality and fragility at the same time.”

 

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